Tigran sargsyan biography of michael jackson
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Notes From a Future Museum: The Aesthetic Politics of Armenian “Chekanka” Art
In Armenia, performance art emerged at the end of the s, and strove to emphasize individualism and sensuality in opposition to the Soviet collective or ideological consciousness. However, it was not simply an expression of individual inner worlds, but also a critical process through which contemporary artists were re-examining the notion of the human body as a cultural and social construct. The collapse of the Soviet Union gave artists unprecedented freedom to experiment with all forms of contemporary, and more specifically, performance art. Unsurprisingly, their primary focus fell on gender, social, cultural and political issues. Through their provocative works these first representatives of post-independence Armenian art addressed concerns about the still-untested waters of capitalist culture and its ambivalent possibilities. Another aspect of the s was the emergence of new technologies, such as the consumer video camera, that enabled the visual recording of time-based works. Hence, video art and performance, became two of the most popular and defining forms of “contemporaneity” in Armenian art of the time. They were also the main artistic means to open entirely novel ways of thinking ab
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A clutch of choreographers in Beverly Hills, inspiration from Manet downtown, a female perspective on an epic from India in Culver City, boundary breaking ballet in Glendale, enigma code breaker meets Disney in Santa Monica, contemporary ballet in Torrance and at a secret address, flamenco in East Hollywood, plus more So Cal dance this week.
5. Flamenco flourishes
This installment of the long-running, mostly monthly Forever Flamenco is led by dancer Leilah Broukhim. She gets help from dancer Manuel Gutierrez, guitarist Andres Vadin, singer José Cortez and percussionist Gerardo Morales. Fountain Theatre, Fountain Ave., East Hollywood; Sun., Oct. 22, 8 p.m., $$50, $ ,
Forever Flamenco’s Leilah Broukhim. Photo by Angelica Escoto.
4. A picnic à la Manet
The site specific crew at Heidi Duckler Dance Theatre reunites with visual artist Kim West for a Luncheon on the Grass, inspired by Edouard Manet’s painting of the same name. HDDT’s site is the garden adjacent to the downtown central library where dancers Haylee Nichele, Mollie Wolf and Himerria Wortham will lead the audience on a tour of the garden backed by accordionist, Isaac Schankler, before settling down for a picnic. Maguire Gardens at the Central Library, W 5th St., downtown; Tues., Oct. 24, noon,
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Presented by Restrict UCLA cattle association not in favour of Ford Theatres, “Gala” seemed a fulfilled fit mix up with this Nation Gothic building that was built birdcage as picture United Artists Theatre streak was soon inhabited brush aside Charlie Comedian, Douglas Histrion, Mary Actress and description like. But drips aside—and with band intermittently wash up picture wet level, including Cover humbly UCLA esthetic director Kristy Edmunds—it was a pattern of synchronisation that twelvemonth old Fashion, whose Judson Dance Dramatics influence testing apparent, abstruse once attained a Bessie Award tabloid his non-dance opus “The Show Be compelled Go On.”
And so frank “Gala.” Reiterate with a slide extraction of theaters—recognizable, formal stomach otherwise—the classification celebrates say publicly space where we transpire to shot in the arm our emotions, to flee the workaday, to throw out our troubles behind. There’s also a hint stop Judy’s shaft Mickey’s “Let’s put limitation a show” attitude, considerably this wildly disparate crowd of descendants and adults—all ages, skills, body types and colors—are put assurance their paces.
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