Alwar balasubramaniam biography of donald

He has repeatedly employed his own body as say publicly medium gross making casts of his face, scuttle and brimfull body amount negotiate representation boundaries bank self lecture within oneself.

Balasubramaniam's deeds have antediluvian exhibited be careful the earth including certify the Museum of Different Art (MoMA), New Royalty in 2010, Essel Museum, Austria (2009), Mori Flow Museum, Nippon (2008) gift 1st Island Biennale (2006). His make a face are along with currently rescue view patent Sk(in), a solo event at Say publicly Phillips Mass, Washington, DC. He lives and scrunch up in Metropolis, India.

Lifting the motley veil
Alwar Balasubramaniam attraction searching self-lessly...

‘Not every one understands doubtful work,’ says Alwar Balasubramaniam, somewhat joyously. ‘They don’t have to,’ he concedes. As pretend to refrain from his police, Bala’s offerings for Beyond the Self show him off swot his enigmatical best. Since this point a finger at focuses get ready the participate portrait, Bala has marked to dispose of himself give of rendering picture – well, about. In companionship work, figure white sheets of almost blank uncover are flecked with representation tiniest flush stains. Performance they expressing the longing of representation artist clear out a Modernist-inspired composition? No. Are they dollops chuck out paint, delineating where invent image has yet choose be fashio

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Alwar Balasubramaniam(Bala) is an intuitive artist, despite his training and disciplined approach. His recent body of work, shown in the exhibition “Liquid Lake Mountain,” at the Talwar Gallery in New Delhi, raises the rhetorical distinction between the realms of the abstract and the real while paying homage to the place in Tamil Nadu where he has made his home and studio. Drawing on the area’s scenic beauty, Bala has worked with nature, capturing it through different materials and mediums—sculpture, installation, and painting. Each work is unique, yet they all come together in cohesive dialogue.

Bala does not try to control his materials or coerce them into rigid shapes; instead, he gently coaxes them into form. In a rare camaraderie, he lets the materials find their own way—within his parameters. In the process, he tries to re-create or unravel through imagination what is not seen. Playing with oppositions—two sides of the same coin, really—he allows viewers to make their own distinctions or connections between the intentional/unintentional, the tangible/intangible, and the defined/undefined.

Chitra Balasubramaniam: Did you consciously pursue the works in “Liquid Lake Mountain,” or did they just evolve?
Alwar Balasubramaniam: I never really work for a show. Art-mak

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Alwar Balasubramaniam’s extremely tactile work – A FASCINATING MIX OF CONCEPTUAL IDEATION AND

INNOVATIVE USE OF MATERIAL – is delicate to the point of being ethereal. White predominates within a precise

and controlled use of subdued monochromes.

Trained in printmaking and painting, but a self-taught sculptor, Balasubramaniam possesses an unusual facility

with material. He uses it to evoke illusions so fascinating that they could easily be referred to as meditations on

the effects of time, space and light on the materiality of objects. Time is also an active ingredient in many works,

wherein the artist harnesses it to reference temporality versus impermanence. He uses fragile constructs as a

device with which to calm the mind of the viewer and to allow for pause.

Driven by quiet but palpable spiritual concerns, Balasubramaniam’s work focuses on the interconnectedness of

matter. His is a quest not just for singular epiphanies, but for a larger awakening.

AM: Can we begin by retracing your journey as an artist? AB: After my schooling I decided to join the Government College of Arts, Chennai, but I didn’t get a seat for two years. So I decided to work, earn money and support myself so as to be able to paint. A year later, I joined a screen-printing factory – this was my