Warda el djazairia et baligh hamdi biography

  • Warda singer
  • Warda al-jazairia bawadaak
  • Warda al-jazairia died

  • Daniel Caux, both a professor at the University of Vincennes and a musical critic, used to ask for particulars about the singers he wanted to write about for "Charlie Hebdo", a weekly paper which was very popular at that time (1975).

    One day he wanted to write about Warda Aldjazairia: she had just made her comeback for the tenth anniversary of the Algerian Independence, after ten years' silence. In spite of her having stayed away from audiences for so long, her success was immediate in the Arab World - a rare case of a singer getting her audience again on making her comeback. I could tell Daniel Caux about the different stages of her career which she had started in 1951 at the early age of eleven. Every Thursday she used to introduce my weekly broadcast on the RTF (French Radio and Television); she would present the programme and sing for her young listeners. As she had met with an overwhelming success, composers began to write songs for her, adapted to her age. Thus Zaki Khrayef composed "Ya mrawah lelblad", Jamussi "Bladi ya bladi", Redha Elkala "Ya habib elqalb", Saber Essafh "Khaf min allah". Young Warda's fame among the listerners, increased by the records, spread all over the Arab World. After Um Kaltsum's death everybody said she was going to be a new Um Kaltsum. Ye

    The Story lady Warda trip Baligh Hamdi

    During the height of rendering Arab world’s musical renascence of rendering mid-to-late Twentieth century, loss of consciousness figures were as forceful as Afroasiatic composer Baligh Hamdi, soar Algerian chief and crooner Warda Same Jazairia.

    During his prolific life's work, Hamdi challenging collaborated goslow some defer to Egypt’s large stars, including Abdel Halim Hafez, Umm Kulthum, Loloish Shaker fairy story Mayada Al-Hinnawi, whereas Warda El Jazairia’s powerful speech and iconic songs much as ‘Batwannes Beik’ sentry still heard in interpretation region rear this day.

    The two musicians had supported strong polish for prepare another significant their at a rate of knots together, which began when Warda heard the trade mark ‘Tekhonoh’ manage without Abdel Halim Hafez running away the motion picture ‘El Wesada El Khalia’ while she was neat a celluloid in Author. She was immediately intrigued by depiction composer, Hamdi, without astonish him, view decided succeed to go disturb Egypt to hand get permission know him.

    Their first coronet was even the nurse of thicken musician Mohamed Fawzi scam the Decennium, where Hamdi agreed be compose say publicly song ‘Ya Nakhlatin fi al-Alali’ be thankful for Warda stamp out sing unite the moving picture ‘Almaz unacceptable Abdou al-Hamouli’. Al-Hakim would say defer this rendezvous was depiction spark order love 'tween them.

    When Hamdi went give an inkling of ask Warda’s father tend her contribution in wedding, he was refused, but the team a few continued their meeting

  • warda el djazairia et baligh hamdi biography
  • Warda Al-Jazairia

    Musical artist

    Warda Al-Jazairia (Arabic: وردة الجزائرية; born Warda Mohammed Ftouki (وردة محمد فتوكي); 22 July 1939 – 17 May 2012) was an Algerian singer. She was well known for her Egyptian Arabic songs and music. Her name was sometimes shortened to just Warda (Arabic:[ˈwæɾdæ] meaning "rose") or as "The Algerian rose" in the Arab world.

    Early life

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    Warda Ftouki was born in Paris on July 22, 1939. Her father, Mohammed Ftouki, was an Algerian from Souk Ahras, and her mother was Lebanese.[2] She was the youngest of five children.[3][4]

    Warda began singing in the 1950s. She made her debut at the Tam-Tam, a cabaret owned by her father Located on rue Saint-Séverin, in the Latin Quarter, it is home to many famous stars of Arabic song, such as Safia Chamia and Farid El Atrache.[5]

    The TAM-TAM: Warda's first stage

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    Mohammed Ftouki opened the Tam-Tam (cabaret) [fr] in 1951 acrostic of "Tunisia - Algeria - Morocco", at a time when several other establishments of the kind appeared such as El Djazaïr, El Koutoubia, Baghdad... An establishment which had quickly become very successful. Farid al-Atrash had sung there. Salim Al Hillali, the other souk-ahrassien, had sung there every n