Wagner composer biography

"Wagner" redirects here. Contribution other uses, see Architect (disambiguation).

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The Man: Richard Wagner

Early years

Richard Wagner was born in Leipzig, at No. 3, the Brühl (The House of the Red and White Lions), in the Jewish quarter. He was however an ethnic German, the ninth child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine (née Paetz), the daughter of a baker. Wagner's father Carl died of typhus six months after Richard's birth, after which Johanna began living with Carl's friend, the actor and playwright Ludwig Geyer. In August Johanna and Geyer probably married—although no documentation of this has been found in the Leipzig church registers. She and her family moved to Geyer's residence in Dresden. Until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father.

Geyer's love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben, Wagner recalled once playing the part of an angel. In late , Wagner was enrolled at Pastor Wetzel's school at Possendorf, near Dresden, where he received a little piano instruction from his Latin teacher. He struggled to play a proper scale at the keyboard and preferred playing theatre

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Richard Wagner

German composer (–)

"Wagner" redirects here. For other uses, see Wagner (disambiguation) and Richard Wagner (disambiguation).

Wilhelm Richard Wagner (VAHG-nər;^[1][2]German:[ˈʁɪçaʁtˈvaːɡnɐ]^ⓘ; 22 May &#;&#; 13 February ) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like arias and recitatives. He described this vision in a series of essays published between and Wagner realised these ideas most fully in the first half of the hour, four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung, also known simply as The Ring).

Wagner's compositions, particula