Rap artist biography questions on shakespeare
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The Sonnet Man — Devon Glover
Saturday, July 6, 2:00PM | Schubert Theatre
Tickets · $30 | PSF Subscriber Tickets · $25
Devon Glover is “The Sonnet Man”
Featured artist Devon Glover, a modern-day Sonnet Man, delivers Shakespeare’s sonnets as originally written, and then breaks them down brilliantly into his own original Hip Hop lyrics and song. Mr. Glover’s flow embodies the richness of Shakespeare’s language, and his passionate, yet natural delivery offers an inspiring, creative experience audiences love.
“Brooklyn-reared Devon Glover has turned his fascination with the rhythms of hip-hop and Shakespeare into a career as The Sonnet Man. The artist adapts Shakespeare’s text through his own original hip-hop lyrics. His spoken, sometimes improvised, riffs replace Elizabethan English with modern urban vernacular—His niche as an African American rapper-cum-ambassador for Shakespeare represents the very inclusivity he hopes to bring to classical theater.” ~ Leo Adam Biga, Humanities Magazine*
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About Devon Glover: Born and raised along with two brothers by a single mom in Brooklyn, Glover has strived all his life to make something of himself and to give back. He went through the New York City Public School system and is a graduate of Ithaca College. Mr. G
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Who's The G.O.A.T.?: Exploring Rhetorical Similarities in Shakespeare and Hip Hop and Their Pedagogical Implications
Who's The G.O.A.T.?: Exploring Rhetorical Similarities in Shakespeare and Hip Hop and Their Pedagogical Implications
Introduction. Who’s the G.O.A.T.?
“They act like two legends cannot co-exist.”
J. Cole, “Middle Child”
Comparing Shakespeare and modern hip hop artists, by asking provoking questions
such as “is Shakespeare or Kendrick Lamar greater?” is not a new conversation, but it is a
precarious one. The implications of these irresponsible comparisons, such as lionizing artists,
ignoring their work, and perpetuating racial stereotypes, have gone largely unnoticed. This
thesis seeks to remove the authors from the debate and compare and contrast the form of
twenty-first century hip hop and Shakespeare. Despite the respective artists’ social, political,
and cultural differences, an investigation of hip hop and Shakespeare’s fundamentals reveal
that they are not radically opposed but similar forms of expression. My aim is to investigate
the multiplicity of similarities between the two genres and illuminate a series of rhetorical
resemblances.
It may seem impossible that hip hop and Shakespeare can even belong in a
conversation because the artists come from different worlds. Shakespeare is a dead, white
man from England, and most hip hop artists are y
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