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Arte â Vida: A History and Reflection on the Project
Deborah Cullen | El Museo del Barrio
Abstract:
In this essay, the curator of the exhibition Arte â Vida: Actions by Artists of the Americas, â, first presented by the Museo del Barrio in New York City in , offers a history of the project and its relation to the earlier landmark exhibit on Latin American performance art, âNo lo llames performance.â The essay discusses the important presence of U.S. Latino/a artistsâparticularly those based in New York Cityâin the history mapped by the exhibit, and discusses the reception of that work when the exhibit travelled to Mexico and to Colombia.
Introduction
El Museo del Barrio presented Arte â Vida: Actions by Artists of the Americas, â in our galleries in New York City from January 31 to May 18, The project focused on the performative contributions of artists and collaboratives from throughout the Americas, paying particular attention to Latinos in the United Statesâespecially Puerto Ricans on the island, in New York, and elsewhereâas well as artists hailing from the Dominican Republic, Cuba, Mexico, Central and South America, working internationally. Arte â Vida hoped to establish a chronology of key works, created by fine artists with a tr
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Notes
Levin, Erica. "Notes". The Channeled Image: Principal and Media Politics funds Television, Chicago: University learn Chicago Cogency, , pp.
Levin, Liken. (). Keep details. In The Channeled Image: Art move Media Statecraft after Television (pp. ). Chicago: Institution of higher education of City Press.
Levin, E. Sum up. The Channeled Image: Meeting point and Media Politics pinpoint Television. Chicago: University center Chicago Squash, pp.
Levin, Erica. "Notes" In The Channeled Image: Art illustrious Media Public affairs after Television, Chicago: Academia of City Press,
Levin E. Sum up. In: The Channeled Image: Art discipline Media Political science after Television. Chicago: College of Port Press; p
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SONIC VISIONS: EXPERIMENTS IN CINEMA AND MUSIC mines the vast collection of the Film-Makers Cooperative (and beyond) to present a series of films and video art exploring — and exploding — the subject of music. From examining the use of Motown hits in Sixties queer underground cinema, to Jud Yalkuts groundbreaking early video work that engaged with (and distorted) footage and audio of legendary artists like the Beatles and Bob Dylan, to two fascinating double bills (one offering filmic portraits of experimental composers, the other exploring the punk and hardcore scenes of the 70s and 80s), this series covers a plethora of classic and contemporary moving image works that are sure to enchant the eyes — and ears — in equal measure.
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Dir. Craig Baldwin,
United States, 87 min.
WEDNESDAY, AUGUST 21 pm
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Within days after the release of Negativlands clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music.
Craig TRIBULATION 99 Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surve